Reader’s Digest: “Great Books from Small Presses
That Are Worth Your Time”
Library Journal: Discoveries Selection
Buzzfeed: “30 Books to Buy in 2014”
Huffington Post “Best New Book”
Publishers Weekly “Pick of the Week”
Spartanburg Herald-Journal Escape “Pick of the Week”
Hear Norman Lock’s interview with NPR’s Scott Simon here.
Huck Finn and Jim float on their raft across a continuum of shifting seasons, feasting on a limitless supply of fish and stolen provisions, propelled by the currents of the mighty Mississippi from one adventure to the next. Launched into existence by Mark Twain in 1835, they have now been transported by Norman Lock through three vital, violent, and transformative centuries of American history. As time unfurls on the river’s banks, they witness decisive battles of the Civil War, the betrayal of Reconstruction’s promises to the freed slaves, the crushing of the Native American nations, and the electrification of a continent. While Jim enters real time when he disembarks the raft in the Jim Crow South, Huck finally comes of age when he’s washed up on shore during Hurricane Katrina. An old man in 2077, Huck takes stock of his life and narrates his own story, revealing our nation’s past, present, and future as Mark Twain could never have dreamed it.
The Boy in His Winter is a tour-de-force work of imagination, beauty, and courage that re-envisions a great American literary classic for our time.
PRAISE FOR THE BOY IN HIS WINTER
“Make[s] Huck and Jim so real you expect to get messages from them on your iPhone.”
—SCOTT SIMON, NPR Weekend Edition
“In this surreal and otherworldly river journey through time, Norman Lock transports Huck Finn down the Mississippi and deep into America’s history—and future. Elegant and imaginative, The Boy in His Winter is a tale that’s as hypnotic as it is profound.”
—GILBERT KING, Pulitzer Prize-winning author of Devil in the Grove: Thurgood Marshall, the Groveland Boys, and the Dawn of a New America
“I read Norman Lock’s The Boy in His Winter with delight and amazement. Styled in the vernacular of a rapidly changing America, it stays true to the themes of Mark Twain’s original: class relations, race and slavery, childhood innocence, moral hypocrisy—and, of course, the stark beauty and unforgiving nature of America’s greatest river. I finished this absolutely elegant narrative feeling that Huck Finn has never been more alive.”
—DAVID OSHINSKY, Pulitzer Prize-winning author of Polio: An American Story and Worse Than Slavery: Parchman Farm and the Ordeal of Jim Crow Justice
“Nothing less than the story of America itself . . . The Boy in His Winter is extraordinary. Lock writes some of the most deceptively beautiful sentences in contemporary fiction. Beneath their clarity are layers of cultural and literary references, profound questions about loyalty, race, the possibility of social progress, and the nature of truth and story. They merge with an iconic American character, tall tales intact, to create something entirely new—an American fable of ideas.”
“[Lock] is one of the most interesting writers out there. This time, he re-imagines Huck Finn’s journeys, transporting the iconic character deep into America’s past—and future.”
“Brilliant . . . this novel shimmers with glorious language, fluid rhythms, and complex insights. . . . The Boy in His Winter is a glorious meditation on justice, truth, loyalty, story, and the alchemical effects of love, a reminder of our capacity to be changed by the continuously evolving world ‘when it strikes fire against the mind’s flint,’ and by profoundly moving novels like this.”
“Lock plays profound tricks, with language—his is crystalline and underline-worthy—and with time, the perfect metaphor for which is the mighty Mississippi itself.”
—Publishers Weekly (starred and boxed review)
“The latest from distinguished elder statesman Lock . . . is an eclectic hybrid of literary appropriation, Zelig-like historical narrative, time-travel tale and old-style picaresque.”
“A sobering read and a wake-up call . . . which firmly places Lock as one of the most talented authors working today.”
“The voice of Huck Finn is so vivid and felt in this novel one loses the sense there’s an author behind it. . . . [The Boy in His Winter] is a testament to friendship, sharing, a slow life derailed and a look at America from a truly unique perspective. Huck is unforgettable and this book then even more so.”
—Sheryl Cotleur, Copperfield’s Books (Northern California’s Sonoma County)
“To call [The Boy in His Winter] a work of fiction is to tell only part of the story. This book is as much a treatise on memory and time and the nature of storytelling and our collective national conscience . . . much of it wildly funny and extremely intelligent.”
—Minneapolis Star Tribune
“Lock’s work mines the stuff of dreams . . . [In The Boy in His Winter] Huck Finn and Jim set forth down the Mississippi River and journey through a century and a half of American history, to alternatingly thrilling and horrific effect.”
“A wonderful meditation on the struggle to dovetail one’s present self with the one’s past.”
—Friends of Atticus
Read “The Drowning of Huckleberry Finn,” an excerpt from the novel at Construction magazine.
A new poem by Norman Lock: In the Time of Rat, out now from Ravenna Press
In a “narrow measure” muscular as Skelton’s but with the wit, precision, and grace of bonsai, Norman Lock delivers the story of Nicolaas Jansen, “soldier/deserter, poet,” insurgent subject and celebrant of Rat. Not since Ted Hughes’ Crow have we encountered a figure with this much disturbing gravity and charisma; of the two, Rat is the more versatile and cunning: by turns our confessor, brother, source and devourer, God’s mimic and shadow, double to soldier and state, patron and incarnation of the impulse to war, that force relentlessly “turning/ what is human into/ meat.” In the Time of Rat is an engrossing, darkly compulsive read, and once finished we wonder, as Jansen does, “Was it/ ecstasy or terror?/ Rat only knows.” –– John Hennessy, author of Bridge and Tunnel
NORMAN LOCK has written novels, short fiction, and poetry as well as stage plays, dramas for German radio, a film for The American Film Institute, and scenarios for video-art installations. His plays have been produced in the U.S., Germany, at the Edinburgh Theatre Festival, and in Turkey. His work has been translated into Dutch, German, Spanish, Turkish, Polish, Greek, and Japanese.
He received the Aga Kahn Prize, given by The Paris Review, the Literary Fiction Prize, given by The Dactyl Foundation of the Arts & Humanities, fellowships from the New Jersey Council on the Arts, the Pennsylvania Council on the Arts, and from the National Endowment for the Arts.
Lock can be contacted by email at normanglock [at] gmail [dot] com and by regular mail at 33 Aberdeen Road, Apt. 355A, Tree Haven III, Aberdeen, NJ 07747-1153.